A type of carpet constructed without pileThe surface of a rug or carpet, made of upright fibers in cut tufts or loops. In a hand-knotted rug it is formed by the cut ends of thousands of wool or silk knots tied onto the warp row by row, trimmed lightly during weaving and given its final height by shearing at finishing. Pile thickness, measured from the back of the rug to the top of the pile, typically runs from low, about 1/8 to 1/4 inch (3 to 6 mm), to high, about 1/2 to 5/8 inch (13 to 16 mm). Fine, dense designs are cut short to keep the pattern sharp; higher pile suits traffic and heavy furniture, lower pile suits door clearance and humid rooms., where the warp and weftThe two thread systems that make up a carpet's foundation: the warp, the vertical threads strung on the loom first, and the weft, the horizontal threads passed through them between rows of knots. The foundation is usually cotton, though wool is common in tribal and older rugs and silk in very fine ones. Single-weft rugs, standard in the greater Hamadan area, show zigzag rows of white warp dots on the back and have a thinner pile, whereas double-weft construction, standard in fine, tightly woven rugs and in Bijar and Heriz, hides the warp and gives a thicker, denser pile. The warp ends form the fringe, and extra weft passes at each end form the flat-woven kilim end that secures the pile. threads are woven together to create a flat surface. Examples include kilims, dhurries, and soumaks. Flatweaves are typically reversible, lightweight, and easier to clean than pile carpets, making them popular for casual spaces and warmer climates.
An animal fiber that tribal weavers sometimes use for a rug's foundation in place of woolA natural animal fiber used for the pile, and in some rugs also the foundation, of high-quality rugs. It is durable, resilient, stain resistant and flame resistant, feels soft and cushioned underfoot, insulates against cold, and takes up dye readily and holds it for many years. It also traps dust particles, which helps reduce allergic reactions. Quality depends above all on where the sheep graze: high-elevation pastures and good feed give thicker, oilier wool, with Manchester, New Zealand and Ghazni wools the best-known prized examples. Early-spring shearing and hand spinning (finer, softer thread than machine spinning) improve it further, while thin, dry wool from dead sheep goes into cheaper rugs., as in GabbehA rug from Fars province in Iran, first documented in the 1600s, about 400 years ago, and woven by the region's tribes and settled villagers on a wool or goat-hair foundation (rarely cotton), with a long, thick, dense wool pile that is not clipped short. Its low knot density gives simple, bold designs in which trees, animals, and people become abstract geometric shapes. Color Gabbeh is dyed in any hue, often strongly, while natural Gabbeh uses undyed white and black wool in cream, brown, gray, and black tones, usually on a cream ground. Typical sizes are about 3-4 by 6-7 ft (0.9-1.2 by 1.8-2.1 m). Finer city-woven versions come from Shiraz, and very fine, heavy pieces are sometimes called Qashqai, though they are not true Qashqai rugs. and Quchan rugs, while the pileThe surface of a rug or carpet, made of upright fibers in cut tufts or loops. In a hand-knotted rug it is formed by the cut ends of thousands of wool or silk knots tied onto the warp row by row, trimmed lightly during weaving and given its final height by shearing at finishing. Pile thickness, measured from the back of the rug to the top of the pile, typically runs from low, about 1/8 to 1/4 inch (3 to 6 mm), to high, about 1/2 to 5/8 inch (13 to 16 mm). Fine, dense designs are cut short to keep the pattern sharp; higher pile suits traffic and heavy furniture, lower pile suits door clearance and humid rooms. itself stays wool. Together with mohairThe long, silky, lustrous hair of the Angora goat. In Persian rugs it is one of several animal fibers, listed together with goat hair, camel hair and cow hair, that can serve as a material but are much less common than the usual wool, cotton and silk; this group is seen mostly in tribal rugs., camel hairAn animal fiber from camels, used less often in rugs than wool, cotton or silk and found mostly in tribal Persian rugs. Its natural warm tan tone has also become a color name: camel hair is a recurring field color in Mehraban rugs, alongside dark blue, dark red, cream and peach, so the phrase can refer to the fiber or merely to the shade. and cow hair it is among the less common rug materials, seen mostly in tribal work, and it also turns up in some flat-woven kilims.
A traditional flat-woven textile from Iran and the Caucasus region, similar to kilims but typically woven in narrow strips that are sewn together. Jajims feature colorful stripes and simple geometric patterns, often in bright blues, reds, and yellows. Historically used as floor coverings, bedspreads, or wrapping cloths by nomadic tribes, they are now appreciated as decorative textiles and wall hangings.
A flat-woven rug with no pileThe surface of a rug or carpet, made of upright fibers in cut tufts or loops. In a hand-knotted rug it is formed by the cut ends of thousands of wool or silk knots tied onto the warp row by row, trimmed lightly during weaving and given its final height by shearing at finishing. Pile thickness, measured from the back of the rug to the top of the pile, typically runs from low, about 1/8 to 1/4 inch (3 to 6 mm), to high, about 1/2 to 5/8 inch (13 to 16 mm). Fine, dense designs are cut short to keep the pattern sharp; higher pile suits traffic and heavy furniture, lower pile suits door clearance and humid rooms., traditionally made in Turkey, Iran, Afghanistan, and the Balkans. Colored weft threads are interlaced with the warp without knots, so both sides look alike. The fibers are typically woolA natural animal fiber used for the pile, and in some rugs also the foundation, of high-quality rugs. It is durable, resilient, stain resistant and flame resistant, feels soft and cushioned underfoot, insulates against cold, and takes up dye readily and holds it for many years. It also traps dust particles, which helps reduce allergic reactions. Quality depends above all on where the sheep graze: high-elevation pastures and good feed give thicker, oilier wool, with Manchester, New Zealand and Ghazni wools the best-known prized examples. Early-spring shearing and hand spinning (finer, softer thread than machine spinning) improve it further, while thin, dry wool from dead sheep goes into cheaper rugs., cotton, or goat hairAn animal fiber that tribal weavers sometimes use for a rug's foundation in place of wool, as in Gabbeh and Quchan rugs, while the pile itself stays wool. Together with mohair, camel hair and cow hair it is among the less common rug materials, seen mostly in tribal work, and it also turns up in some flat-woven kilims., and natural dyes often give slight shade variations that are normal, not flaws. Its low profile clears doors easily, and it can hang as wall art. In a knotted rug, "kilim" also names the flat-woven band at each end, where extra weft rows secure the ends beside the fringe.
The band at each short end of a knotted rug, between the last row of pileThe surface of a rug or carpet, made of upright fibers in cut tufts or loops. In a hand-knotted rug it is formed by the cut ends of thousands of wool or silk knots tied onto the warp row by row, trimmed lightly during weaving and given its final height by shearing at finishing. Pile thickness, measured from the back of the rug to the top of the pile, typically runs from low, about 1/8 to 1/4 inch (3 to 6 mm), to high, about 1/2 to 5/8 inch (13 to 16 mm). Fine, dense designs are cut short to keep the pattern sharp; higher pile suits traffic and heavy furniture, lower pile suits door clearance and humid rooms. and the fringe, woven with weft only. The weaver passes extra weft through the warp there several times, without knots, to secure the pile and give the ends a tighter, stronger finish. It is a finishing detail of a pile rug, not a kilimA flat-woven rug with no pile, traditionally made in Turkey, Iran, Afghanistan, and the Balkans. Colored weft threads are interlaced with the warp without knots, so both sides look alike. The fibers are typically wool, cotton, or goat hair, and natural dyes often give slight shade variations that are normal, not flaws. Its low profile clears doors easily, and it can hang as wall art. In a knotted rug, "kilim" also names the flat-woven band at each end, where extra weft rows secure the ends beside the fringe. rug in its own right; a fringe that has to be hidden can be tied back against it on the reverse. In BijarRugs from the city of Bijar in Kurdistan province, northwestern Iran, and the villages around it; the name covers both fine and coarse double-wefted pieces, woven by Kurdish tribes and, in workshops, Afshar weavers. Nicknamed the “iron rugs” of Iran, they are among the heaviest rugs for their size: double wefts, symmetrical (Turkish) knots, and rows beaten down hard, often while the wool is kept wet, give a thick, dense pile. Designs run from floral, Herati, and medallion to geometric, drawing on Isfahan and Kashan as well as Russian, Caucasian, and European sources (a French-style rose bouquet among them), in jewel tones of rust, red, beige, and navy. Bijars are often small rugs or runners, large sizes are rare, and the flat-woven ends and fringes are typically braided. rugs the fringe at this end is often braided.
A rectangular woven box-bag — nomadic luggage — used by tribes of Persia and the Caucasus to store and transport bedding on migration. Woven flat in kilimA flat-woven rug with no pile, traditionally made in Turkey, Iran, Afghanistan, and the Balkans. Colored weft threads are interlaced with the warp without knots, so both sides look alike. The fibers are typically wool, cotton, or goat hair, and natural dyes often give slight shade variations that are normal, not flaws. Its low profile clears doors easily, and it can hang as wall art. In a knotted rug, "kilim" also names the flat-woven band at each end, where extra weft rows secure the ends beside the fringe., soumakA flat-woven rug technique that creates a textured surface resembling braiding or embroidery. Unlike kilims, soumaks have a raised pattern created by wrapping weft threads around warp threads. This technique produces durable rugs with distinctive geometric designs and a textured surface, traditionally made in the Caucasus region, Iran, and Turkey., or mixed techniques and then assembled, mafrash panels display some of the boldest tribal design work, and many antique examples have been opened up and repurposed as striking flatweaveA type of carpet constructed without pile, where the warp and weft threads are woven together to create a flat surface. Examples include kilims, dhurries, and soumaks. Flatweaves are typically reversible, lightweight, and easier to clean than pile carpets, making them popular for casual spaces and warmer climates. rugs or cushions.
A method of displaying a rug on a wall as a work of art; any style, tribal or floral as well as pictorial, can be hung. Strips of strong, adhesive-free cotton fabric (for a wide rug, for example three of about 24 by 4 inches, or 61 by 10 cm; for a small rug, one strip set about 1 inch, or 2.5 cm, in from each end) are hand-stitched to the back about 2 inches (5 cm) below the top, clear of the fringe or kilim endThe band at each short end of a knotted rug, between the last row of pile and the fringe, woven with weft only. The weaver passes extra weft through the warp there several times, without knots, to secure the pile and give the ends a tighter, stronger finish. It is a finishing detail of a pile rug, not a kilim rug in its own right; a fringe that has to be hidden can be tied back against it on the reverse. In Bijar rugs the fringe at this end is often braided., with stitches every 1/2 to 1 inch (1.3-2.5 cm), and folded into a pocket. A wood or metal dowel slid through the pocket rests on wall hooks strong enough to carry the weight, which avoids damaging the rug.
A flat-woven rug technique that creates a textured surface resembling braiding or embroidery. Unlike kilims, soumaks have a raised pattern created by wrapping weft threads around warp threads. This technique produces durable rugs with distinctive geometric designs and a textured surface, traditionally made in the Caucasus region, Iran, and Turkey.
Generated illustration: enlarged cord model of plain weave.
The two thread systems that make up a carpet's foundation: the warp, the vertical threads strung on the loomThe frame on which the warp (vertical) threads are strung first and held under tension so the weft (horizontal) threads can be interlaced through them and the knots tied onto them. Hand-knotted rugs are made on simple looms, from those set up in weavers' homes to the compact, transportable ones of nomadic weavers, where every knot is tied by hand. Loom size sets rug size: nomads' small looms typically yield rugs no larger than about 4 x 6 or 5 x 7 ft (1.2 x 1.8 m or 1.5 x 2.1 m), city workshops with very large looms weave palace sizes, and the number of looms a workshop runs gauges its scale. Wooden looms in tribal and village weaving expand and contract over time, one cause of crooked rugs. Power looms such as Wilton, Axminster, and Jacquard, the industrial descendants, make machine-woven carpet. first, and the weft, the horizontal threads passed through them between rows of knots. The foundation is usually cotton, though woolA natural animal fiber used for the pile, and in some rugs also the foundation, of high-quality rugs. It is durable, resilient, stain resistant and flame resistant, feels soft and cushioned underfoot, insulates against cold, and takes up dye readily and holds it for many years. It also traps dust particles, which helps reduce allergic reactions. Quality depends above all on where the sheep graze: high-elevation pastures and good feed give thicker, oilier wool, with Manchester, New Zealand and Ghazni wools the best-known prized examples. Early-spring shearing and hand spinning (finer, softer thread than machine spinning) improve it further, while thin, dry wool from dead sheep goes into cheaper rugs. is common in tribal and older rugs and silk in very fine ones. Single-weft rugs, standard in the greater Hamadan area, show zigzag rows of white warp dots on the back and have a thinner pileThe surface of a rug or carpet, made of upright fibers in cut tufts or loops. In a hand-knotted rug it is formed by the cut ends of thousands of wool or silk knots tied onto the warp row by row, trimmed lightly during weaving and given its final height by shearing at finishing. Pile thickness, measured from the back of the rug to the top of the pile, typically runs from low, about 1/8 to 1/4 inch (3 to 6 mm), to high, about 1/2 to 5/8 inch (13 to 16 mm). Fine, dense designs are cut short to keep the pattern sharp; higher pile suits traffic and heavy furniture, lower pile suits door clearance and humid rooms., whereas double-weftA construction in which two weft threads, rather than one, are run through the warp between successive rows of knots. The doubled weft covers the foundation, so on the back of a finely and tightly woven rug only knots and weft show, without the white flecks of warp that give away a single-weft rug, and the rug is thicker, denser and heavier. Bijar and Heriz are typical double-wefted types, as are finely woven Persian rugs in general. construction, standard in fine, tightly woven rugs and in BijarRugs from the city of Bijar in Kurdistan province, northwestern Iran, and the villages around it; the name covers both fine and coarse double-wefted pieces, woven by Kurdish tribes and, in workshops, Afshar weavers. Nicknamed the “iron rugs” of Iran, they are among the heaviest rugs for their size: double wefts, symmetrical (Turkish) knots, and rows beaten down hard, often while the wool is kept wet, give a thick, dense pile. Designs run from floral, Herati, and medallion to geometric, drawing on Isfahan and Kashan as well as Russian, Caucasian, and European sources (a French-style rose bouquet among them), in jewel tones of rust, red, beige, and navy. Bijars are often small rugs or runners, large sizes are rare, and the flat-woven ends and fringes are typically braided. and HerizBold village rugs from the Heriz area of northwestern Iran, near Tabriz, and the best-known of all Persian village rugs. A coarse, tough wool pile on a cotton foundation, usually double-wefted for extra thickness, and a low-to-medium knot density (commonly quoted at about 120 to 170 KPSI, roughly 1,900 to 2,600 per 10 by 10 cm) make them very durable; the wool's strength is traditionally credited to copper-bearing mountain water. The classic design is a large angular medallion with four corner pieces, sometimes an allover layout, in a rust red traditionally credited to copper minerals in the local river, with dark navy and cream. Bakshaish and Serapi, the latter now over a century old, are their older forms., hides the warp and gives a thicker, denser pile. The warp ends form the fringe, and extra weft passes at each end form the flat-woven kilim endThe band at each short end of a knotted rug, between the last row of pile and the fringe, woven with weft only. The weaver passes extra weft through the warp there several times, without knots, to secure the pile and give the ends a tighter, stronger finish. It is a finishing detail of a pile rug, not a kilim rug in its own right; a fringe that has to be hidden can be tied back against it on the reverse. In Bijar rugs the fringe at this end is often braided. that secures the pile.